In theatre everything is possible and nothing is possible. Both facts are existing inside the same time frame – endless potentiality of the real and utter impossibility of the moment in being anything else but what it is – here and now. Universal is always singular, singular is always universal.To levitate in between these two states of: presence of potentiality / absence of singularity (movement out) and presence of singularity / absence of potentiality (movement in) for a performer means to exist in the same time/space with the spectator. Instead of creating split between potentiality and singularity by locating them – on and off stage, we should unite spectator with performer through a constant oscillation of our expressive power between the two possible states.
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